3 hours ago
Monday, August 17, 2009
Here are two pendants I made using the translucent layering and image transfer techniques I learned from Kathleen Dustin. They are a ways from perfection, mainly the translucent is not as clear as I wanted it to be...maybe it's too thick...but anyway it's an exciting technique that has given me lots of ideas as I roll along on my polymer journey!
Thursday, August 13, 2009
I'm busy making rorschach style pendants, making a bunch then narrowing it down to the best ones for a project I am working on. These are addictive and I get better and better with each one I make, incorporating new ideas as I move along.
Sunday, August 02, 2009
...make something out of nothing, I do that every day. I just read an Ornament magazine article about Tory Hughes with that title. Tory is known for her polymer but I like that she said the work is about the artist, not the material.
I swap between polymer and painting. In my recent paintings, I start with watercolor but find more and more mixed media getting put into the piece, so it no longer can be categorized as a watercolor. Though I have yet to incorporate polymer into my paintings, I have found that making skinner blends and mixing colors has informed my painting, and I have discovered color combinations through polymer that I want to use in painting.
In polymer, I have been making natasha or rorschach pendants lately. The fun is in the "what if"color combinations and the accidental nature of the finished piece. Some of my rorschach pendants achieved the intent I started out with, such as the bright, fun piece at the top which came out of making skinner blend spirals, striped canes, and checkerboards within a color scheme.
But then there are leftovers.
After spending considerable amount of time being "intentional", I wound up with a large pile of scraps. I grabbed some and made these two pieces without regard for any kind of color scheme or superimposing my will over the pattern.